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Lichtenstein - Centre Pompidou
DALI - Centre Pompidou
Bohêmes - Grand Palais
WebSite personnel et privé - Non contractuel et non commercial
Dédié au tourisme et à la vie culturelle à Paris.
Listing publicitaire d'appartements à vendre ou à louer.
Pour annoncer votre bien, contactez l'administrateur du site.
Lichtenstein - Centre Pompidou
Lichtenstein in Paris is the most beautiful symbol of America. A
fabulous artist. His sudden death, at age 73, in 1997, crowned him as a myth for ever. A
new flag raised high, shamelessly, for the New World. An
innovative wind born after the war and vice versa strongholds of art posted on
each side of the Atlantic. A
disruption of the painting dug into popular culture, but also in the history of
the most museum art, from Delacroix to Cezanne. A
sense of immediate communication with the image, as shown Whaam!, His most
famous painting, transforming the war in 1963 BD for large (bought in 1966 by
the Tate Modern in London). Sizes
XXL and devour their dotted frame and primary colors, however large picture
rails as New York lofts. France
is the final step in this long journey pop started brilliantly at the Art
Institute of Chicago (visual shock in the hall of honor), split over two floors
at the National Gallery in Washington, and then deployed in large cubes design
the Tate Modern in London.
In
the spring, fans of pop art crossed the English Channel without waiting to see
this retrospective. The
luxurious sequence of icons and the profusion series "larger than life" left
them dazzled, perhaps filled. How
the Centre Pompidou was he challenged to do as well, if not better? True
to France, Beaubourg left its biggest space Hantaï Simon (1922-2008), our unsung
New York Hungarians. This
painter folding Yet the exact contemporary of Lichtenstein, born in 1923 in
Manhattan. Only a
third of the tables of London came to Paris. And yet, what exhibition! The constraint is the
artist, Picasso said. It
also makes the curator, and Camille Morineau already very inspired for the
"Panorama" by Gerhard Richter, a year ago, turns this lack more. By
focusing on pieces often disdained his art, sculpture and printmaking, the
teacher becomes the journey of a life bubble 100% creative. In
a hundred works that respond in a real formal tennis, it invites the visitor in
the same workshop of Roy Lichtenstein. In
the spirit of this thin, ironic and reserved man that magnifies the "American
way of life" in extreme close-ups, types of understatements in pictures.
His
studio, real, Roy has painted, and three huge sizes of its series of Artist's
Studios are there to establish his mental decor, its own tables and references
to Matisse's Dance in 1909 which embodies background the
eternity of the painting, fruit (lemons well), its green plant with her
pitcher. The
set design is both simple as child's play (Magenta maze of blue alcoves where
marry sculptures, paintings, enamel on steel and sketches on paper) and as a
sophisticated art historian who has read everything (what I
create is of the form, a great little book of interviews with the artist often
unpublished). The
coupling of both chronological and thematic raises many alpha a very long
artist, hatched with pop art life, and the aggressiveness of the commercial art
and beyond the age of icons quickly ( Drowning
Girl, 1963, MoMA loan, or Step-On Can with Leg 1961 star auction and ready for
the Louis Vuitton Foundation). Manufactured
objects painted black and white replay of the Cathedrals by Monet, Picasso
Bathers of the ink landscapes of ancient China, there is this constant search
for the form of experimentation, the material to explore as the first day. The
more confined space of the Centre Pompidou forced to move closer to work.
Their humanity
and science pop you in the face.
"Roy Lichtenstein" until November 4 at the Centre Pompidou
"Roy Lichtenstein" until November 4 at the Centre Pompidou
DALI - Centre Pompidou
The
National Centre for Art and Culture Georges Pompidou has until 25 March
2013, one of the creators of the most complex and prolific twentieth
century. Salvador Dalí (1904-1989) is both one of the
predominant figure in the history of modern art and one of the most
popular. It is also one of the most controversial artists, often
criticized for his bizarre attitude, his love of money and provocative
political stance. More than thirty years after the institution
retrospective dedicated to him in 1979-1980, this exhibition remains to
this day the most successful attendance in its history. It illuminates
the character of Dalí through an exceptional choice of major
works. New attendance record in 2012 for the National Centre for Art
and Culture Georges Pompidou. Attendance at the Centre Pompidou in 2012
exceeded the record level set in 2011 and 3.8 million visits to the
museum and exhibitions, up 5.5% compared to the previous year. This
growth attests to the exceptional success of the program of temporary
exhibitions, as evidenced in 2012 several exhibitions that have been
and are still the event: after Matisse, Pairs and sets (495,000
visitors) and Gerhard Richter, Panorama (425,000 visitors) The public's
enthusiasm was confirmed at the end of the year by welcoming it
reserves the Dalí exhibition that draws from its opening on 21
November, some 6,700 visitors per day. More than two hundred works
(paintings, sculptures, drawings ...) are presented in a course
designed by chrono-thematic sections: the dialogue between the eye and
the brain of the artist and the viewer: Dalí, pioneer
performance, author of ephemera, media manipulator considering art as a
fact of global communication. Among the masterpieces exposed, you can
admire some great Icon - The Persistence of Memory (Soft Watches),
1931, The Great Masturbator, 1929 The specter of sex appeal, 1934 or
The Endless Enigma, 1938 - and discover a hundred works on paper,
objects, projects for the theater or cinema, films, photographs and
excerpts from TV shows. The visitor of the exhibition began its entry
into the world of the artist through an airlock ovoid evoking the
intrauterine life, a symbol of birth and origin. He graduated with a
labyrinthine hall showing the brain of the artist. Around the
exhibition this international conference will be held over two days,
will bring together contributions from leading experts in Dalí's
work, crossed through the eyes of contemporary artists.This public
institution established by the governments of Catalonia and the
Balearic Islands in 2002, aims to promote the Catalan language and
culture through the internationalization of its creators, the diffusion
of artistic and cultural exchanges, and support for language studies
and Catalan culture in the academic field.
Bohêmes - Grand Palais
This
exhibition about la Boheme, modern myth, is hold at Grand Palais from
26 September 2012 to 14 January 2013. The fact that it is organized by
NMR - Grand Palace and the fundación Mapfre, Madrid is more
attractive and promising. If Leonardo da Vinci, Van Gogh, Modigliani
and Picasso are of course invited, Especially as the Bohemian reminds
each of us so much, and sometimes so different ... Artists, exoticism,
music, as countries where the man would still be a wolf to man and hide
for days in his dreams! And the blurb, which we take here so long
excerpts, is written so so sensitive! It is true that the "Bohemian" is
firmly entrenched in our imagination. In many ways and forms very
diverse. It is as much a part of us as our great modern myths. It was
sung, filmed, verse, exalted, declared dead a hundred times, and
percent once adjusted. The idea of Bohemia appeared in the middle of
the nineteenth century in the company of Romanticism and Realism. It
marked the transformation of the status of the artist, who left the
protection of the prince to become "solitary genius, miserable and
misunderstood that anticipates the convulsions of society." Poets
(Nerval, Baudelaire, Rimbaud, Verlaine ...), painters or musicians
(Courbet, Van Gogh, Satie, Modigliani, Picasso ...), many great heralds
of modernity that gave a face to one facets of this tumultuous concept.
Rebels all conventions, drummers paved cow eating rabid fans of women and drinks they have, for generations of apprentice artists, turned the dream of redemptive glory that is gained at the risk from oblivion and death. The literature and the press, theater and opera, La Boheme has quickly gained immense popularity and has entered the collective imagination and forever linked the image of Paris in the Latin Quarter, Montmartre, then Montparnasse. Last twenty years of work on external fields as the history of marginality, migration, nomads, renewed analysis of this phenomenon. The myth of Bohemia is now part of history, much richer and more complex, the report of the European peoples to the gypsy nation. Egyptian called the classical period, and then appointed the most diverse names - Gypsy Manouche bigot - the Bohemian became shortly after its appearance in the West in the fifteenth century, a hero of the novel (Cervantes at first) and favorite subject for artists (Calot, Vouet, Georges de la Tour). The mystery of its origins, long incomprehensible language, his intimate relationship with nature, his ability to tell the future, are a legend. His sudden appearances and disappearances feed the fantasy of a life without ties, without rules, intense and sensual. The artist, fascinated, found him in his master free. Gypsies and bohemians have therefore a related party. Figures of liberty, of wandering, they share marginality and misery. Elusive, clever, insider secrets to inaccessible, permanently reduced to the standard, they disturb, provoke and delight our sedentary society. This is of course the term gypsy who come from the pen of the first descriptors bohemian life emerging. And under the Nazi regime, artists and gypsies will be combined in the same detestation. By being in a new relationship as well as on the intersections between disciplines (painting, literature, photography, music), based on more than 180 works and unpublished discoveries combining outstanding loans (The Fortune Teller, Georges de la Tour , Metropolitan Museum New York, L'Absinthe, Edgar Degas, Musee d'Orsay, Paris, in Montmartre area, Vincent van Gogh, Van Gogh Museum, Amsterdam, La Gitane Van Dongen, MNAM, Paris ...), this exhibition aims to bring a new light on this common history. The scenography is Robert Carsen. The visitor crosses the centuries and will cross the most picturesque representations of people wandering. Then penetrate the world of the painter, his garret, his studio, his shelter, to complete his race in the cafes of Montmartre. When, out of the tavern he resumed his way, he will quickly sobered by the inauguration of the exhibition hall Gypsy has degenerated Art in Munich 1937 ... Through a journey of four centuries and fifteen themes, a phenomenon that sheds light bohemian, Leonard da Vinci Picasso, throughout the history of art and societies, and still resonates in our contemporary world. As Puccini's opera, this exhibition is a large popular rendezvous, mixing fantasy and severity, entertainment and melancholy, misery and glory.
Bohemians at the Grand Palais from 26 September 2012 to 14 January 2013Rebels all conventions, drummers paved cow eating rabid fans of women and drinks they have, for generations of apprentice artists, turned the dream of redemptive glory that is gained at the risk from oblivion and death. The literature and the press, theater and opera, La Boheme has quickly gained immense popularity and has entered the collective imagination and forever linked the image of Paris in the Latin Quarter, Montmartre, then Montparnasse. Last twenty years of work on external fields as the history of marginality, migration, nomads, renewed analysis of this phenomenon. The myth of Bohemia is now part of history, much richer and more complex, the report of the European peoples to the gypsy nation. Egyptian called the classical period, and then appointed the most diverse names - Gypsy Manouche bigot - the Bohemian became shortly after its appearance in the West in the fifteenth century, a hero of the novel (Cervantes at first) and favorite subject for artists (Calot, Vouet, Georges de la Tour). The mystery of its origins, long incomprehensible language, his intimate relationship with nature, his ability to tell the future, are a legend. His sudden appearances and disappearances feed the fantasy of a life without ties, without rules, intense and sensual. The artist, fascinated, found him in his master free. Gypsies and bohemians have therefore a related party. Figures of liberty, of wandering, they share marginality and misery. Elusive, clever, insider secrets to inaccessible, permanently reduced to the standard, they disturb, provoke and delight our sedentary society. This is of course the term gypsy who come from the pen of the first descriptors bohemian life emerging. And under the Nazi regime, artists and gypsies will be combined in the same detestation. By being in a new relationship as well as on the intersections between disciplines (painting, literature, photography, music), based on more than 180 works and unpublished discoveries combining outstanding loans (The Fortune Teller, Georges de la Tour , Metropolitan Museum New York, L'Absinthe, Edgar Degas, Musee d'Orsay, Paris, in Montmartre area, Vincent van Gogh, Van Gogh Museum, Amsterdam, La Gitane Van Dongen, MNAM, Paris ...), this exhibition aims to bring a new light on this common history. The scenography is Robert Carsen. The visitor crosses the centuries and will cross the most picturesque representations of people wandering. Then penetrate the world of the painter, his garret, his studio, his shelter, to complete his race in the cafes of Montmartre. When, out of the tavern he resumed his way, he will quickly sobered by the inauguration of the exhibition hall Gypsy has degenerated Art in Munich 1937 ... Through a journey of four centuries and fifteen themes, a phenomenon that sheds light bohemian, Leonard da Vinci Picasso, throughout the history of art and societies, and still resonates in our contemporary world. As Puccini's opera, this exhibition is a large popular rendezvous, mixing fantasy and severity, entertainment and melancholy, misery and glory.